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lillilahI cut back on magnesium so that I can take 0.53g during the day and then again at night. (I realized that I was weighing one with the capsule and one without, which make it all the more ridiculous.) I think, though, that the lower dosage today has made me moody. Hopefully, I'll perk up tomorrow.
The fires in the north of Portugal are pretty bad, so the air quality is not all that. I think that is making my fussiness worse.
In good news, I found a file yesterday that had all the work I had done for the setting that I will use for my serial story. It was from about 20 years ago, so I remembered little of the details. Happily, I've been able to fill in a lot of the missing bits, which I am so happy about. Hopefully, I'll get a big chunk more of it done tomorrow.
I also worked more on one of my new paintings. It is of a guy standing in a field with a tree, looking out at the horizon. I felt, however, like the guy didn't really work in the field. But! If I put in an opening in the stone wall along the foreground side of the field and a path that the guy has walked on to the point where he is standing, a path that leads toward the edge of the image, I think it will all work. I don't really have the sense that "this pulls your eye", but I can guess that the various lines in the painting will move around in an interesting way when the path is there. So, we'll see.
The fires in the north of Portugal are pretty bad, so the air quality is not all that. I think that is making my fussiness worse.
In good news, I found a file yesterday that had all the work I had done for the setting that I will use for my serial story. It was from about 20 years ago, so I remembered little of the details. Happily, I've been able to fill in a lot of the missing bits, which I am so happy about. Hopefully, I'll get a big chunk more of it done tomorrow.
I also worked more on one of my new paintings. It is of a guy standing in a field with a tree, looking out at the horizon. I felt, however, like the guy didn't really work in the field. But! If I put in an opening in the stone wall along the foreground side of the field and a path that the guy has walked on to the point where he is standing, a path that leads toward the edge of the image, I think it will all work. I don't really have the sense that "this pulls your eye", but I can guess that the various lines in the painting will move around in an interesting way when the path is there. So, we'll see.
